Roman Ehrlich & Michael Disqué - The Theatre of War
In the summer of 2015, writer Roman Ehrlich and photographer Michael Disqué visited the German army base Camp Marmal in Mazar-e Sharif in Afghanistan. Their aim was to portray the life of the soldiers in the camp without falling back on the standard narratives of journalistic reportage. At the heart of the book are the structures that the soldiers have created for themselves and the interaction between the camp’s architecture and its inhabitants; the extreme artificiality of the living environment; and the civilian aspect of life there that extends throughout the camp in spite of it being a military organisation. Derived from a term used to mean the battlefield, Theatre of War represents all the aspects of “staging” that determine warfare.
120 pages, 32.3 x 22.8cm, hardcover, Spector Books (Leipzig).
In the summer of 2015, writer Roman Ehrlich and photographer Michael Disqué visited the German army base Camp Marmal in Mazar-e Sharif in Afghanistan. Their aim was to portray the life of the soldiers in the camp without falling back on the standard narratives of journalistic reportage. At the heart of the book are the structures that the soldiers have created for themselves and the interaction between the camp’s architecture and its inhabitants; the extreme artificiality of the living environment; and the civilian aspect of life there that extends throughout the camp in spite of it being a military organisation. Derived from a term used to mean the battlefield, Theatre of War represents all the aspects of “staging” that determine warfare.
120 pages, 32.3 x 22.8cm, hardcover, Spector Books (Leipzig).
Description
In the summer of 2015, writer Roman Ehrlich and photographer Michael Disqué visited the German army base Camp Marmal in Mazar-e Sharif in Afghanistan. Their aim was to portray the life of the soldiers in the camp without falling back on the standard narratives of journalistic reportage. At the heart of the book are the structures that the soldiers have created for themselves and the interaction between the camp’s architecture and its inhabitants; the extreme artificiality of the living environment; and the civilian aspect of life there that extends throughout the camp in spite of it being a military organisation. Derived from a term used to mean the battlefield, Theatre of War represents all the aspects of “staging” that determine warfare.
120 pages, 32.3 x 22.8cm, hardcover, Spector Books (Leipzig).
